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 Monday, 22 June 2009
By  Mo at  4:06 pm HST
 Sunday, 03 May 2009
By  Mo at  6:46 pm HST
I originally wrote this in my journal. It’s something of a cross between a short story, essay and poem - and yet not really any of those things at all.
Magical Thinking
When I was a child, my friends and I would play a game that we called Superman (or Supergirl, depending on who’s turn it was). We weren’t leaping tall buildings in a single bound or fighting for Truth, Justice and the American Way… all we were doing was pretending we could fly.
Depending on what the bigger kids were doing during recess, we would either swarm the swings or the merry-go-round and each take turns flying. If it was “your turn” (carefully determined using the infallible “eeny meenie miney mo” method, which was, obviously, superior to “ink a bink a bottle of ink”), you got to lay belly down on the edge of the merry-go-round (or on the seat of the swing) with your arms extended while the others spun or pushed you as fast and as hard as they could.
The breeze brushing through our hair and kissing our faces made it feel like we really were flying. In our minds, we were reaching Mach speeds and breaking the sound barrier. Not wanting to use our powers for harm, we all solemnly vowed that we would only spin the merry-go-round in one direction or face toward the tree if we were on the swing so that we wouldn’t risk making the whole world spin the wrong way around.
I loved the game so much that I would sometimes try to play it in the car - as much as my mother would let me get away with it. I would roll down the window and try to lean out as much as I could to get that sensation (it wasn’t much - my mother knew a guy who knew a girl who was the mother of the proverbial kid who’s arm got cut off for sticking his arm out the window). When she would drive fast, I was convinced that if I could just lean out far enough, I would really take off like a kite.
Because of my observations during the game at school or in the car (ie. the faster you went, the faster the breeze), I believed that the wind was caused by the world spinning. In my mind, I imagined God up in heaven with a globe that he would idly spin on his fingertip like a Harlem Globetrotter. On really windy days, God was spinning it super fast. On still days, the globe was sitting undisturbed on his desk.
During the summers, rather than playing Superman (or Supergirl) my friends and I would lie in the grass and lift our feet into the air. We’d pretend that the world was upside down and we were walking on the sky. Sometimes, we would clutch the grass and pretend that we would fall off the world if we let go. Other times, we’d pretend that we were so strong that we were holding up the whole world.
When I got older, I learned about things like gravity, wind currents, and weather systems. I learned that the world was not this magical place that was sitting on God’s fingertip as he practiced his Globetrotter moves. The world was not spinning faster on windy days. I could lean all the way out of the car, but no matter how fast we went, I would never be able to take off like a kite. My friends and I weren’t so mighty that we were holding up the world, and we did not ever have to worry about falling off.
I was stuck on a magic-less planet.
Sometimes, though, when we’re driving really fast on a highway, I’ll stick my arm out the window and pretend that if I leaned out a bit farther, I could take flight. In fields of grass when no one is looking, I’ll raise my feet into the air and pretend that I’m holding on to the Earth for dear life. On really windy days, I still like to believe that God is doing his Harlem Globetrotter impression. And some days, when the breeze is really strong and I’m sure no one is around, I will stretch my arms in front of me and pretend that I’m flying so fast that if I flew the wrong direction, I could change the orbit of the Earth.
M. Jacobs - May 2009
 Wednesday, 08 April 2009
By  Mo at  10:04 am HST
Yes, I realize I’m a bit slow on the uptake… I’m currently about 7 weeks behind. I plan on making that up. However, I may not be the only one.
If you are interested in a fun weekly writing exercise, as well as blog-networking with other writers, please check out the Writers’ Adventure Group post by Nixy Valentine. I’m posting the “rules” here and will be posting the weekly exercises here from her blog as well. If you are a writer and have a blog yourself, give it a shot.
This is an open, online writers’ group. Anyone may participate. It’s helpful if you have a blog, but if you don’t have one, you can always get a free blog from wordpress.com.
Our purpose is to build a community of writers who help and support each other, and to hone our observational and writing skills by interacting with each other and the world around us.
Here’s how it works:
- Adventures should take you 5-10 minutes to complete! We’re going for short and easy. This should not be like having a part time job. You may post your results as a few lines, or a few paragraphs. This does not have to be polished, but is an exercise only! See previous WAG posts here.
- You will typically have one week to do the assignment and post the results on your blog. Deadline given at the bottom of the instruction post.
- After you post your results, email THE LINK TO YOUR POST (not just your blog) to NixyValentine AT gmail DOT com. This way I can link back to you in the next post! Please include the word WAG in your subject heading. Please include the title of the post (if any) and your name as you want it to appear on the listing. If you do not do this, I will use the name as it appears on your email.
- To get more people involved, please use Twitter, FB status, myspace, your blog, etc to tell your writer friends about the group and talk about your own writing adventure!
Rules
Well, there really aren’t any. This is an experience, not a classroom. There is no wrong way to do this!
To get the most out of this, I would suggest visiting the other participants’ blogs and linking to them from yours to build the writing community.
If you have an idea for an adventure or have questions or comments about the group, write to nixyvalentine AT gmail DOT com.
 Saturday, 04 April 2009
By  Mo at  5:40 pm HST
The hallmark of a great artist - writer, painter or otherwise - is not resting on your laurels. Van Gogh did not paint Starry Night and then sit back basking in accolades. Shakespear didn’t write one play and think “there, I’ve done it! Now I don’t have to do that again!” I, still fresh off my high from finishing and editing The Soup Storm, am not done with writing.
I have much more to tell. There are more stories in my head waiting to get out.
I haven’t been very chatty lately on the blog - not posting much in the way of content or new writing. I’ve been a bit preoccupied with outlining my latest project: The Definition of Me. I’ll post log-lines and a synopsis later - for now I’m still working out a few kinks with the major plot points and… well, I have a decision to make.
This month is Script Frenzy. My goal is to turn The Definition of Me into a complete first draft by April 30th. However, every time I start to write this story, it comes out like a weird crossbreed between novel and screenplay. So, progress on the actual screenplay is paused while I work out the problems that are causing the conflict with dueling formats.
But I am still writing. I want that made perfectly clear. I am always writing.
If you are a writer and interested, check out the Script Frenzy site. It’s a fun personal challenge and a way to jump-start yourself to get those ideas down on paper.
 Tuesday, 31 March 2009
By  Mo at  7:11 am HST
Dear Mr. Wallace,
I’ve done it… twice. I have read Infinite Jest… twice. It only took me 10 years and more than a dozen attempts, but I have done it and I am not pleased with you. At all.
Let me start by saying that I get it - ok… it’s a social commentary (a rather scathing one, at that) on how far people are willing to go for entertainment. I’m ok with that part. Really.
Let me also state, for the record, that the first time I read it all the way through, I was only reading half-assed. Your book was an Everest that I was sick of feeling defeated by. I had read several times up to the chapter written almost completely in Ebonics just to end up throwing it across the room in annoyed frustration. Did you REALLY have to put the end-notes at the back of the book? (Oops - that’s a separate rant.) So, yes - I had tried over a dozen times to get past that with no luck before I finally told myself that I didn’t care what it took, I was going to finish that book.
Apparently, what it took was an insane amount of skimming.
I made it through the first time, got to the end and was convinced that my skimming had caused me to miss something crucial. Certainly that wasn’t the end. We hadn’t yet figured out what turned poor Hal into the… whatever it is… in the first chapter. We hadn’t figured out how Hal, the PGOAT and Don get together to dig up the skull. We didn’t know what Peems was trying to tell Hal.
Basically, all of the questions that were posed in the story were left entirely unanswered.
Surely, in a novel that runs over 1200 pages (NOT INCLUDING YOUR FLIPPIN’ ENDNOTES!) there wouldn’t be unanswered questions.
So, I read it again. This time with a notebook, a pen and TWO bookmarks (one for the end-notes [were they REALLY necessary... I mean, REALLY!?] and one for my place in the novel). I was prepared. I made charts, graphs, time-lines - anything to help me keep track of what was going on. I read each sentence for every hidden innuendo.
And you know what I found, Mr. Foster Wallace? This is, of course, a rhetorical question because I’m sure you know what I found.
I found nothing.
There were no answers to those questions. In fact, there were all new unanswered questions as a result of the extra attention I had paid to the text. It was as if you just got tired of writing. Or if your editors just told you to turn in what you had knowing that only a few people on Earth would ever make it to the end of that gargantuan monstrosity to find out that you ended it on the edge of a cliff.
I want my ending, DFW. Even if it’s a total cop out, I want my ending. I have my theories, I have my hunches, I just… I WANT MY ENDING and I think it’s been long enough since then that whatever weariness you had while writing it has long since passed. Finish thy book, sir and have mercy on a girl!
Yours truly,
Monica
 Tuesday, 24 March 2009
By  Mo at  8:53 pm HST
This is a kind of odd poem. I remember exactly who I wrote it about and when I wrote it - I just don’t remember why I felt the way I felt about him. Hindsight is a funny thing. I think I was in a biochem class at the time as well, because I can’t think of where else I’d think of writing a poem about neurotransmitters.
This isn’t particularly good, but for some reason this poem has always amused me. Probably because of the way that I so OBVIOUSLY (and naively) thought I was saying something profound. The pretension just screams through (at least it does to me) and makes me laugh now that I have a bit more life experience under my belt.
Enjoy.
Continue reading →
 Tuesday, 24 March 2009
By  Mo at  3:23 pm HST
I got this from here, but I don’t know where it originated. It reminded me of something, though - if you are a writer, reading is an important, and often overlooked, part of the job. Reading a great book can inspire you to write one as well. Reading a bad book can be a helpful reminder watch for common mistakes you may not have noticed in your own writing.
Anyway, check out the list - I did the “score” thing at the end, but it’s more or less irrelevant. One thing I do wish is that I could have some sort of indicator to books I read that I hated rather than just the ones I loved. Oh well. Also, wtf at including both “the complete works of Shakespeare” AND “Hamlet”?
Continue reading →
 Sunday, 22 March 2009
By  Mo at  9:19 am HST
Screenwriting professionals have short attention spans. Everyone has a screenplay, everyone wants someone to read it, and everyone who’s interested in working in the film industry has to pay their dues by reading a bunch of stinkers.
Opinions vary on formatting and whether or not to stick to the three acts, but what almost everyone who’s willing to spend money on a screenplay will agree to is that the first few pages HAVE to be interesting. They HAVE to grab you. They HAVE to make you want to keep turning the pages.
Sure, you can point to a few Oscar® winning screenplays that didn’t get good till about page 20 (or at all, if we’re being really honest), but first time screenwriters don’t have the luxury of saying “trust me… things get better.”
All that said, here are the first few pages of The Soup Storm . I am biased, but I do think that the opening sequence creates enough tension and provides enough imagery to make the reader want to know more. At least it is when I play the scenes in my head.
Screenwriters out there? I’d love to hear your thoughts and read your first few pages.
 Sunday, 22 March 2009
By  Mo at  7:43 am HST
Another one written sometime in 2005. Slightly edited from the original… it just didn’t seem to flow right.
Continue reading →
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